
A ciegas – Blindsight
2006. RU. 104 min.
Dirección y guión: Lucy Walker.
Producción: Sybil Robson Orr.
Música: Nitin Sawhney.
Fotografía: Petr Cikhart.
Montaje: Sebastian Duthy.
Sinopsis. Un documental que con el sobrecogedor telón de fondo del Himalaya, narra la fascinante aventura de seis adolescentes tibetanos que se propusieron escalar el Lhakpa Ri de 7.045 metros de altura, situado en la cara norte del Monte Everest. Este peligroso viaje se convierte en un desafío aparentemente imposible. Más aún si tenemos en cuenta que estos jóvenes son ciegos. Considerados por muchos tibetanos como poseídos por demonios, los chicos son rechazados por sus padres, despreciados por sus aldeas y marginados por la sociedad. Pero la educadora y aventurera ciega Sabriye Tenberken, fundadora de la primera y única escuela para invidentes del Tíbet, junto con el famoso escalador también ciego Erik Weihenmayer, ayudará a estos jóvenes a superar sus enormes dificultades y les animará a llegar mucho más allá de lo que jamás hubieran imaginado.

I am a 66-year cicada. There was a big earthquake. There was a big tsunami. There also was a big accident.
People who pine for quality films built around female characters and directed by female directors: where were you for this one? Canadian filmmaker Larysa Kondracki's first-rate political-drama premiered at the 2010 Toronto International Film Festival, where I first saw and loved it; its domestic distribution rights picked up a year later by Samuel Goldwyn Films; but it basically tanked at the box-office and has been entirely ignored this awards season — which is not fair. Oscar winner Rachel Weisz gives the performance of her career as Kathryn Bolkovac, an American policewoman in the mid-1990s whose attachment to her work cost her two marriages and now the custody of her young daughter, to whom she yearns to live closer. In order to finance a move, she accepts a temporary job with the United Nations peacekeeping force in Bosnia that will pay her $100,000 for just six months of work. What she finds there, though, is a global sex trafficking operation in which members of her own organization are active participants and enablers, prompting her — at a great risk to her own life — to fight relentlessly to help the victims and prosecute the perpetrators. Weisz is one of our few big-name actresses who exudes the intelligence and fortitude that this part demands, and if I had a best actress Oscar vote she would be its recipient this year. David Strathairn, Vanessa Redgrave, and a bunch of lesser-known actors also do fine work in the film, which asks us to ponder — and recently convinced the U.N. Secretary General to ponder — whether or not U.N. is, in a number of significant ways, failing to carry out its original mission, and is, in some parts of the world, actually exacerbating the problems that it was created to help solve.
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